12/28/2023 0 Comments Metallica garage inc original songs![]() You have to be able to tell yourself that you’re gonna make mistakes, and that’s okay. “ I just sat down and started learning as much as I could. Through trial and error, he realized that he would have to carve his own path, so he started his own wireless technology company, Lite-Time. Not wanting something like that to happen again, Zaemisch started looking into other technologies that would be more reliable. “It fits in with a bunch of different eras. “The White Snakebyte, I can kind of slip it in on songs that I would traditionally use more of a Les Paul-shaped guitar,” says Zaemisch. Hetfield’s White Snakebyte guitar, the “OG Snakebyte,” is a favorite of Zaemisch’s for that reason. When you prowl as much as Hetfield does on stage, it makes sense to choose a guitar that’s on the lighter side. “It’s cool, and it has a lot of history, but it’s a heavy guitar, weight-wise. “Carl,” featured in Messengers, is a guitar by Ken Lawrence that is made out of the wood from the garage where Metallica wrote and arranged both Ride the Lightning and Master of Puppets. “I have ‘Carl’ out here with me,” says Zaemisch. ![]() Many of the guitars featured in the book come with Hetfield on the road. His new book, aptly titled Messengers: The Guitars of James Hetfield, essentially serves as Hetfield’s memoir, wherein he shares the story and personal significance of his most treasured guitars. we took a pair of these Meyer monitors, plugged them straight into the output of the Axe-Fx, and got all our sounds that way,” he explains.Īs much as Hetfield himself was spearheading the adaptation of these futuristic amp modeling systems, he has had no such approach to his guitars. “We needed to kind of be able to hear what it would sound like as a 4x12 but also through the PA because that's ultimately where it was going to go. ![]() I mean, no guitar player wants to go without being able to do that, right?” If James wants a little sustain or wants some feedback, he knows to go to a hotspot. We like the bigger ones just for a little bit more chunk. The hotspots have 12-inch cones in them, and the normal vocal monitors have 10-inch cones in them. ![]() “There’s hotspots on the stage, four for James and four for Kirk. “Like anybody else, James wants to stand in front of cabinets and feel his pants shake,” says Zaemisch. So in order to make sure the band can still feel the music, Zaemisch and the Metallica crew push the guitars out to eight Meyer monitors on the stage. Like anybody else, James wants to stand in front of cabinets and feel his pants shakeīut the bedrock of heavy metal is a wall of Marshall stacks so loud that they rattle the pictures on your neighbors’ walls. Maybe we’re the people to embrace it.’ It’s been a cool journey.” He had the foresight to say, ‘Let’s try it. “We didn’t really have another band to point to and say, well, Sabbath is using it, or the Scorpions are using it. “Are we going to go in another direction, with the Axe-Fx, or are we going to go back to the way things were?” “After Antarctica, we were faced with ,” admits Zaemisch. While the advantages of transitioning the band’s live rig from analog to digital were clear, it was understandably met with a bit of apprehension. “The first time that we sent them overseas, they paid for themselves,” Zaemisch reveals. But when the band were asked to play Carlini Base in Antarctica, they were faced with one major challenge: in order to protect the arctic wildlife, the stacks of heads and cabinets – essential to Metallica’s ferocity – were not welcome on the trip. “Especially with James, the sound has to be chunky, but the bass frequencies can’t hang over too far because he’s such a percussive player.”įor many years, navigating the variables and limitations of analog gear came with the territory of being the guitar tech for the biggest heavy metal band in the world. Anger, Zaemisch noticed issues with the way that their analog gear responded to the low tunings. You kind of have to focus on that low note,” says Zaemisch.īut when he would hand Hetfield a guitar like the purple Snakebyte, the baritone used for songs on St. “I would always work on an amp sound in the tuning the band uses, which is D#. 2023 marks Zaemisch’s 20th year with the band, and you don’t keep your job in one of the biggest bands in the world without trying to be better than you were yesterday.
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